The Sun Also Rises #1

Although I am not a novelist nor a writer, it is my understanding 

that it is common practice for authors to place themselves in their

writing. Whether this is in the abstract form of subtle hints in poetry or direct carbon copies of ones self into the characters of a novel. 

Upon beginning to read The Itinerary by John Atherton, Hemingway's Jake is immediately exposed as a man who has done it all, seen it all, and rightfully acts in such manner. By starting off this class reading Hemingway's memoirs, it allowed me an obtuse angle of insight into the man behind The Sun Also Rises. While unconsciously wielding that information, this short essay by Atherton has made something quite clear. 

There is no doubt that Hemingway has placed his own ideals into Jake. Jake, the seasoned, well roasted and prepared man that has answers that others don't. Hemingway ran from the States to escape a world that he no longer related to. He chose live a life of lush poverty and write stories, which captivated others while solidifying his prestige. 

Having been his first novel, Hemingway undoubtedly felt that he must break out from the pack, and as any self centered person might, he came to the conclusion that it was his own character traits, which would make Jake the most prominent of all.

To dive more intimately into the text, there is a specific event I would like to capitalize on. On page 203 of The Itinerary, Atherton quotes from the book. 

In the one extended scene in Jake's apartment( chapter 7), the count's presence tends to "deintimatize" the setting; he transforms Jake's private space into a public bistro by orderingh is chauffeur to bring on the champagne.

The character of the Count appears to be one of mystery and I find it pressing to understand his relationship with Brett. She mentions to Jake the Count's admiration of her and asks if Jake thinks he should be sent away. It appears and is confirmed that the Count is rather fond of Brett, but does he feel like a father figure? He leaves the two alone as he goes to fetch champagne. To any man courting a women, this can be seen as an egregious mistake. Placing my bets on the Count's intelligence, his actions must only be explained by assuming that he feels like a fatherly figure. Or, he sees Jake as merely a dear friend, incapable of altering Brett's desires. If this is so, then what might be the motivation behind this comment? 

"You are very nice people, he said. . . " "Why don't you get married, you two?" p50

In attempting to conclude my hypothesis of the Count, I feel as though I am unable to do so. I am torn between the two roads. Left, he is merely acting as a father figure, or right, he feels as though Jake is inferior.